A LEVEL MEDIA STUDIES
We are really excited to be bringing back media studies A level.
The OCR A level course is new for us as of 2022!
Please use this page to get to grips with the course and find helpful links and support.
Paper 1: Media Messages (2 hours 35%)
Section A: News and Online Media
Section B: Media Language and Representation
Paper 2: Evolving Media (2 hours 35%)
Section A: Media Industries and Audiences
Section B: Long Form Television Drama
NEA: Music Video and complimentary webpages (30%)
Quick Course Overview
Does this sound like the course for you?
Already on the course and need to find out more?
PAPER 1: Media Messages
Section A: News and Online Media
This section consists of two linked in-depth studies that focus on contemporary news in the UK, requiring learners to explore how and why newspapers and their online counterparts are evolving as media products and the relationship between both online and offline news.
Learners must study the Daily Mail and The Guardian to inform their studies Learners must study the Mail Online and The Guardian websites, including social and participatory media to inform their studies
Example Questions
1 Analyse the representations in Sources A and B. Use Van Zoonen’s concept of patriarchy in your answer. [10]
2 Sources A and B cover the same news event but are from different genres of newspaper. How far has genre influenced the media language used in Sources A and B? In your answer you must:
- outline genre conventions in British newspapers
- analyse the contrasting use of media language in the sources
- make judgements and reach conclusions about how far genre has influenced the media language used. [15]
3 Explain how the political context in which newspapers are produced, influences their ownership and regulation. Refer to The Guardian and The Daily Mail newspapers you have studied to support your answer. [10]
4 Evaluate the usefulness of one of the following in understanding audiences for online newspapers such as The Guardian and The Daily Mail:
EITHER
- Gerbner’s cultivation theory
OR
- Shirky’s ‘end of audience’ theory. [10]
Some helpful video links (by Mrs Fisher)
Section B: Media Language and Representation
Section B focuses on media language and representation and requires learners to consider how and why media language is used by media producers to create meaning and construct various representations of events, issues, individuals and social groups.
Music Video
A
B
The music videos in List A all feature their respective artist(s) and are a mixture of performance and narrative, and raise a number of similar representational issues surrounding ‘street life’. The music videos in List B do not feature their respective artist(s) at all, instead, with each music video celebrating the power of narrative and signification and a postmodern emphasis on intertextuality. The videos in List B each use very different representations to each other, but each contrasts clearly with the representations featured in the music videos in list A. Learners will explore the differences in media language and representation between examples from the two lists. All of the artists selected for both lists are well known, and the lists include a range of artists (considering both gender and ethnicity) and genres as well as ensuring that every music video on the list is age appropriate for an A level programme of study. Theories of media language and representation do not need to be studied. Learners should investigate how the elements of the theoretical framework for media language are used to construct representations that appeal to particular audiences, including a consideration of the influence of historical, social and cultural contexts. Consideration should be made of media language elements specific to music videos such as camera shots, angles, lighting, settings, locations, costumes, props, makeup, editing and sound as appropriate.
Magazines
Magazines must be studied in relation to media language and media representations, including a consideration of the social, cultural and political contexts that influence how media language is used to construct representations. The Big Issue is a niche magazine outside the commercial mainstream that learners may not normally engage with. It provides a contrasting example of how the elements of the theoretical framework for media language can be used to construct alternative representations that appeal to particular audiences, including a consideration of the influence of the social, cultural and political contexts. Learners must study two front covers of The Big Issue, from the September of the first year of teaching a two year course, (e.g. from September 2017 onwards for a candidate entering for assessment in June 2019), chosen by the centre. The front covers selected should demonstrate representations that are alternative to the mainstream and of national significance, in terms of the events or issues they portray. Learners need to study the magazine products in relation to all the subject content bullet points listed under the ‘media language’ and ‘media representations’ topics in the subject content table at the end of Component 02. Theories of media language and representation do not need to be studied. Consideration should be made of media language elements specific to magazines such as locations, costumes, props, makeup, lighting, choice of camera shot, angle, typography, layout and address of written content to the audience. The study of The Big Issue does not extend to online.
Advertising and Marketing
PAPER 2: Evolving Media
Section A: Media Industries and Audience
Section A focuses on media industries and audiences and requires learners to consider how and why media products are constructed across different media forms to reach and address a number of audiences.
Film - set product: The Jungle Book
This part of the exam will not ask direct questions about the content of the films but it is highly recommended that students watch both versions of the film in order to fully grasp the concepts surrounding the ways that the films were made.
The focus is on how the films were made, why they were made and the historical and economical influences.
What do these films teach us about how film making has changed over time?
Radio
COMING SOON
Video games
NEA (Non - examined assessment)
Learners will create a cross-media product in response to an OCR set brief.
30% of total A level
For all NEA information please click here.